Eurovision 2016: May 3 rehearsals

Gabriela Guncikova got today’s rehearsals underway in bridal white, with a background of purple / blue triangles from the video. She walks forward at the start of ‘I Stand’, and keeps it simple from there on in, merely loosening her hair at the big moment, and allowing it to flutter in the wind machine. On the plus side, the Czech act looked and sounded amazing; but a face like that needs more close-ups, and the backdrop was occasionally overpowering too.

The Cypriots have some hard rock staging for the poodle rock ‘Alter Ego’. The band are caged before the guitarists come out for a face-off. There’s strobe lighting and quick camera cutaways, some of them pre-recorded footage showing a CGI wolf. Plenty of high-concept ideas were being tried out, which makes it a work in progress. The vocals weren’t always perfect, but the backing singer helps with the higher notes.

Austria’s Zoe has ditched her treadmill, otherwise ‘Loin D’Ici’ is much like the national final. After an initial walk forwards along a pink brick road, she stands and summons flowers and rainbows in the backdrop, wearing a peach gown. Her vocals are not always completely on point, but she’s a charming performer. However, the overall effect is a little static despite the wind machine’s best efforts in the final minute.

Estonia’s Juri was also alone on stage, in a double-breasted blue suit and spectacles, to a playing card themed backdrop. It’s incorporated into the performance when he produces an Ace of Hearts halfway through, pretends to throw it away, only for it to appear in his hand again. It didn’t feel like Juri was at his best today, and it all hangs on his young shoulders.

This year’s early rehearsal vocal car crash was provided by Azerbaijan’s Samra in her first run-through. The backing mix came to her rescue in later tries – there are two female backing singers among the four dancing around her – but she still looks like a rabbit in the headlights. There’s nothing wrong with the black and gold visuals, and the last run-through contained enough pyros for a New Year’s celebration, including a long curtain of fire. The good news is that ‘Miracle’ can only get better from this point.

Montenegro have added a female backing singer who stands on the b-stage in front of the band. The staging is very dark with quick cutaways (yes, again) and some frenetic camerawork. The overall effect is dizzying.

The camera angles started coming together for Iceland’s Greta Salome. She’s in a fringed leather catsuit, and copying her national final performance, although there are two substantive moments when she focuses on the camera rather than the projection wall, which is an improvement. The only step backwards is an overly long moment when she’s not in shot at all, despite the wall suggesting she should be.

There’s quite a lot going on in the Bosnian staging. The females start in bacofoil capes which they quickly remove to match Deen in black. Deen and Dalal start on either side of a barbed wire fence, before they finally join, at which point Ana Rucner with cello strides purposefully stage right, as Jala raps. The black and gold colour scheme works well, and there’s not much wrong with the vocals.

There’s even more going on in Malta’s ‘Walk on Water’. Ira’s face is initially projected onto her backing dancer’s top, before she’s revealed wearing a big brown coat, that’s supposed to show 360-degree projections. Except it doesn’t do so effectively, and she drags herself around the stage aimlessly as water swirls in the LED floor below her. The coat is removed to reveal a little black dress, and the dancer throws all sorts of shapes. Like the song, it’s a hundred ideas in search of a coherent concept.

Finally, Frans delivered a facsimile of his Melodifestivalen performance, except he walks to the satellite stage during the bridge. No minds were changed during the course of this rehearsal. The day’s performances as a whole felt slightly underwhelming after a reasonable start, and second rehearsals will be useful to see who is stepping up a gear as we approach the period that really matters. Do keep your thoughts coming below.

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9 comments to Eurovision 2016: May 3 rehearsals

  • johnkef

    The frenzy has started. Australia down @11.00 at betfair just in a few hours!!!

    • Mr Wolf

      SVT jury ranked Austrialia tonight 39/40 as well.
      And the poll result is currently even better than Amir had (48%) + it’s now on Sweden ITunes 21th (Amir 26th, Frans 30th, Sergey 74th).
      This is pretttyyy impressive.
      Plus it has better staging (and live vocal) potential than France.
      Many of us have thought that the song doesn’t have very good “emotional qualities” for strong televoting result, but so was the case with Conchita. In the end people voted for the best and the prejudices were false.

      • johnkef

        We have to wait for her rehearsal, Though personally i have believed in her since day one. So glad i ‘ve bought @25, @18.5, @15 and my Top3-4-5 are one point above current prices!

        The same thing that happened last year with Russia! I was so sure this was going to happen!

      • PurpleKylie

        Those clowns also had Malta a very high score in the previous episode and look what’s happened with their staging…

        That preview show is only useful for predicting how Sweden is going to vote, last year only four of their overall top 10 (one of them being, duh, Sweden) got a top 10 result in Vienna

        • Mr Wolf

          True, Guy Sebastian got very positive reaction there last year as well.
          But how impressive was his svt.se poll performance? Does anyone know?

  • Ande

    Latvia is a solid top 10 but without presentation a win seems farfetched. I’m a little dissapointed Justs didn’t try harder.

  • Ande

    Lithuania is undervalued for top 10 pre rehearsal. Bettors must have forgotten how dedicated of a performer Donny Montell is.

    • Montell

      He sure is but I don’t think the song is good enough. “Love is Blind” was more original and emotional. With a second half draw it could have reached the top 10. I don’t see that happening with “I’ve Been Waiting For This Night” but let’s wait for rehearsals.

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